A pair of glasses

Ravi picked up his lunch box from the dining table. It was not the regular steel box, he had been using from the past couple of years. This was a taller variety with three polycarbonate boxes stacked one over the other inside a jacket. Most of his office colleagues carried one of these kinds that promise in flashy advertisements, to keep the food warm. He had earlier never thought of buying one for himself, simply because he never saw the need for one. His lunch was never more than two chapptis and some vegetables, sometimes paranthas and achhar or a humble sandwich which comfortably fit inside the steel box. But, of many things that would change in the years to come, marriage brought about this trivial change also, which honestly he was not much worried about. A taller lunch box could only mean a welcome change in his lunch menu; this brought a slight smile on his face, as he picked it up.

His was an arranged marriage. The eldest son of a Bihari middle class family, he did not have much of a choice. His father had called him two months prior to the wedding and announced the decision on him. As it always was, he had accepted it meekly, without saying much. The only time he had ever asserted his personal choice was in selecting a course during graduation. He was a Commerce graduate, the first in his family; though there were not many in the family tree that could either claim to be a graduate at all. His father was one. A science graduate of the early nineteen sixties and by that merit had also secured a position in one of the state government agricultural firms. This was no mean feat for his father or the family then, and along with a secure job it also helped his father to the top of the hierarchy of the family decision making matrix. “Offcer beta is never wrong,” the family would believe. His father still held to that axiom though Ravi would, sometimes, want to think otherwise. He had accepted the decision of his marriage and choice of bride with a pinch of salt. Not that he was in love with someone else, but he fathomed the idea. The years of being in Delhi had seeded the wish. His office was abuzz with love stories that he thought befitted the silver screen. There was Dubey and his love marriage, a story made of all ingredients that kept Ravi in rapture every time the former narrated it. More than the billet-doux of the story, Ravi would be fascinated with Dubey’s wife, Kriti’s bold and fearless nature. For someone who hailed from a native town in Uttar Pradesh, she had not thought twice before coming to Delhi in the sly to ask Dubey to marry her lest her father married her off to someone else. Ravi was a sucker for such a fearless and care-free spirit and would often dream of a wife like Kriti, sometimes blasphemously fantasising her as his own wife.

He had first met Richa on the day of their engagement which was a month before the actual marriage. She was selected and finalised by his father much before he had called Ravi to announce the decision and of the engagement date. His brother had shared her profile and photograph on mail. He remembers checking the mail long after the office hours lest others would catch him checking a girl’s photograph. He wanted to avoid all queries and discussions in the office regarding his marriage, more so because he had not met his bride to be till now. There were two photographs – one full length and the other, a close up. Obviously it was clicked for the occasion at a studio. She was wearing a saree and was decked up with light jewellery. Wheatish complexion, medium frame the full length photograph did not speak much, except that she was directed to appear coy and demure, as an Indian girl would required to be, especially if one is being clicked as a prospect for a marriage. The close up also came off more like a passport photograph, with her eyes trained direct towards the camera. They were kohled and deep brown as much he could make of reading a girl’s eyes. The nose seemed sharp and there was no smile on her lips. That was all he could make off the photographs and he did not spend much time on it then or even later. If he had an opinion, he either wise could not express. The decision was already taken by his father. The only consolation he drew from the profile was that she was doing her graduation in commerce from a local college. Not much ground for similarities, but he liked the subject. It was of his choice. Ravi had shut down his system and left. He would catch the 7.30 yellow line metro from IFFCO to Rajiv Chowk and then finally the Blue Line to Yamuna Bank. His life was a routine between the blue and yellow lines. Accommodation was cheap at Yamuna Bank and he was grateful to the Delhi Metro that made his travel easy to IFFCO Tokio, Gurgaon, where he worked as an accountant to make a living.

When he had first met her, Ravi could not exchange much conversation with Richa. It was anyway their engagement and though he would have liked some quiet moments with her, maybe speak to her a little and overcome his own shyness, none of all that happens in such an occasion. All one can manage are smiles and perhaps a word or two while the families are guffawing and exchanging greetings as if they have all known each other for generations. He had spoken to her a few times over the phone after the engagement but those could be written off as mere formalities of courtesy. Before long, they were married and Ravi was back to Delhi with his bride. Perhaps it was his hangover of Dubey’s love story and a mental image of a wife like Kriti that built an ice between him and Richa, so much so that even after they came back to Delhi, he would only have intermittent conversations with her. In the days from his engagement to marriage and then the week in Delhi, he had made an opinion of her – She was shy, not an excellent conversationalist and one of those kinds from his village who spent their whole life treating marriage and husband as a social responsibility. He had taken the extra week off without his father’s knowledge. He had planned it for a honey moon to Rajasthan, but had later settled it for a period of stay in Delhi taking Richa for a sight-seeing of the city. They visited all those places in Delhi synonymous for romantic getaways with a futile attempt to loosen up with each other. At the end of the week, after all the metro rides, eating at the stalls of Delhi Haat, ice-creams at India Gate, walks around Purana Qila, getting harassed by the Eunuchs at Lodhi Garden and shopping at various markets of Delhi, nothing had changed. The lunch box was purchased at one of these visits, at Lajpat Nagar and he would use it for the first time today.

He called out to her from the door, “Richa, I am leaving. Keep the doors locked and open only if necessary.” He paused, waiting for her to emerge from the kitchen, where she seemed to be perpetually locked since morning. She came out, wiping her hands against the pallu of her saree and stood in front of him. He looked at her once again, almost a nonchalant reassuring look, maybe expecting that she will change. Her coy nod was the last look he registered as he climbed down the stairs. It was 7:45 am and he had just fifteen minutes to catch the metro. He stopped a cycle rickshaw with a frantic call.

“Metro,” he ordered the rickshawalla.

Through the bumpy ride out of his lane, he began to take mental notes of a checklist of the things to do.

“Drinking water,” he heard himself. On the way he stopped the rickshaw in front of a kirana store and shouted to a boy at the counter, “Raju, please deliver two cans of water to my home.” He paused and thought for a moment and then almost shouted back immediately, “Forget it, I will take it myself in the evening.”

“Hurry,” he goaded the rickshawalla.

He made it in time. There was still two minutes before the metro reached the station. Ravi began to run through his check list again. It was almost after three weeks that he was visiting office and he wanted to be sure that everything was in place. He was in midst of his thoughts when the train entered the station.

He took a corner seat, once inside. He liked the corner seat. Sometimes he could catch a wink or two leaning against the fibre glass. Today, he began to run through his check list again.

“Mr. Gupta’s file,” he thought. He opened his bag and shuffled through the content. After a while he seemed satisfied. Two stations had passed; two more to go before he changed trains at Rajiv Chowk. Of the entire journey, he disliked this part the most. Rajiv Chowk during rush hours was nothing less than a Kumbh Mela. Even the most careful could get lost. He himself was disgusted and lost on the first day of his break journey. Over these three years he still found it difficult. He sighed as the train came to a halt and he made way towards the yellow line to Gurgaon.

He got a corner seat once again. “A lucky day,” he chuckled to himself. Once seated, he returned to his train of thoughts. He thought of his office colleagues and their reaction to his marriage. He was glad that none of them had attended his marriage though as a courtesy he had circulated an invitation a few days before leaving, fingers crossed that no one would want to attend the marriage in a far flung village of his state. Now that he was back they would ask him about his wife, his first night, tease him. He had seen all this happen with other colleagues never expecting that he would be subjected to the same situation some day. He could not talk much about Richa. He hardly knew her yet. Moreover, she would be nothing what he had thought he would have liked in his wife. Maybe, he could make it all up with imaginary stories about her. “That would not be right,” he heard himself saying almost simultaneously with the automated announcement system announcing that the next station is INA. Richa and he had visited INA market when they were at Delhi Haat. In fact it was also his first visit to the market in all these years in Delhi. They had bought some fruits from the market. He was appalled with the rates but had not expressed it to Richa. The same were available much cheaper in their local market.

“Market,” he thought to himself, recalling some items that he had to shop on the way back. She had told him last night that there were some kitchen items required. For a moment he had thought, he could ask her to get it herself, but then refrained from doing so after revisiting the mental image he had made of her.

The Metro was passing through the Qutub Minar station. He glanced out of the window to catch a quick glimpse of the Minar. In all these years he had never been inside the premises. Maybe, the coming weekend he would visit it along with Richa. A lady came and occupied the seat next to him. He squeezed himself little more to the glass fixing his eyes to the floor, stealing glances occasionally at her feet. She wore a red paint on her toes. He tried to recollect what colour Richa was wearing in the wedding. He could not. “Does she wear nail paint at all?” he thought.

Ravi’s thoughts began to numb as the train kept moving one station to the other. He caught a few winks, before he heard the announcement that the next station was IFFCO chowk. He rustled himself casting a quick glance around. The girl with the red nail paint was gone. There was actually no one beside him. The train was much emptier when it stopped at IFFCO chowk. Ravi got down and made way for the exit. It was 9:20 am. He would reach office on time, as usual.

IFFCO Tokio was huge building. An insurance company, the building housed over thousand employees. Ravi’s department was in the ninth floor. As the lift made its way up, he began a quick run through of his things to do at office. He was having a feeling he was forgetting something even as he came out of the lift and entered his office he could not figure out what. Lost in his thoughts he made way to his desk and was greeted by the peon.

“Welcome Sir,” the peon saluted him with a broad smile on his face. Ravi smiled back.

Once at his desk, his colleagues started to throng around him one after the other. 

“Congrats, bhai”, “So how was it?”, “Where was the honey-moon?” questions and greetings came in from one and all. He smiled and replied to a few, accepting the greetings warmly. It would be only a short while before everything would settle down. And so it did - fifteen minutes after the initial euphoria, office was back to normal. Ravi sighed. He had already begun to get uncomfortable. After a breather, he began to pull out the files from his bag. He meticulously pulled out his stationary, the keys to his cabinet and then rummaged inside the bag to fish out his glasses. He was long sighted and needed them to read almost anything but to his horror he could not find the pair in his bag. Frantically, he pulled the bag open wide and peered in, but they were not there. He thought for a moment and then struck him what was missing in his check list - his glasses. It must be lying beside their bed where he had left the night before. He cursed himself. No glasses meant no paper work but that is not how his Boss would look at it. In a complete confused state he began to think of excuses. After a moment he thought that it was really not a big issue and he could honestly speak about it to his Boss. “That will be a good idea,” he said to himself and began to walk towards his boss’s cabin. He thought he heard someone calling his name. He turned around to see the peon walking towards him.

“Ravi Sir, Ravi Sir – Is your mobile not working?” he asked.

“My mobile,” Ravi exclaimed, giving him a surprised look. Fearing that he had left the mobile too, he made a frantic check in his pant pockets. He was relieved to find it. It was on a silent mode and there were some six missed calls, the last being from his office itself a few minutes ago.

“Arey Sir, the guard was calling you from the reception,” the peon went on. “Madam is waiting for you at the reception.”

“Madam?” Ravi blurted taking it as a bolt from the blue. “Who, madam?” he asked the peon.

“Sir, your wife,” he replied with the same broad smile on his face.

Ravi had already started to walk towards the reception. “Surely it cannot be,” he thought to himself, unsure, confused. “Richa cannot come so far by herself,” he had already started to walk in a faster pace towards the reception.

At the reception he looked around. There were some sales agents with their clients but seated on the sofa, in a green salwar suit, it was Richa. She stood up and smiled on seeing him. He could not smile back. He was shocked beyond belief. She held out her hand with his glasses inside the case. “You had left it next to the bed and I knew you cannot read a word without it. So..” she trailed her words trying to register his dazed look  and an even more dazed smile at her.

He could not say it at that moment but he would do so, much later that he was in love with her and that he loved her pink nail paint. Much later he would also believe “Offcer beta is never wrong.”

Chronicle of a death foretold (and averted?)

On the day he thought they were going to kill him, Salman Rushdie, got up at some time in the morning to wait for the news-rooms in India to wake up. He’d dreamed that he was not going to a Literature festival in Jaipur, where he was much in demand, and for an instant he was happy in his dream, but when he awoke he felt completely spattered with bird (read – tweet) shit.

Hope Marquez forgives me for borrowing these opening lines (and more so for tweaking them) from one of his classics – Chronicle of a death foretold. But, with all the recent focus (and growing) on Salman Rushdie, I could not help draw a parallel between Marquez’s protagonist in the novel, Santiago Nassar and him. Rushdie, if not in any other way, certainly is a perfect alter ego of Nassar in being a victim of a collective social consciousness. What more, just like everyone in the town knew that Santiago is going to be murdered, each of the esteemed guest and writers in Jaipur Literary Festival knew that the storm was coming moment Rushdie was announced as one of the speakers. For a moment this also seemed like a great politically correct ploy to generate more eye balls for the event. (Is it?) Having said so, when I look at the course of event, from the announcement of the organisers, the immediate uproar, the debates (between the intellectuals/the heathens – almost similar), Rushdie’s regret of absence to the organised sometimes honest and mostly fame piggy-backing support for him and his book-that-shalth-not-be-named, (see footnotes if you have to J) the whole episode seemed to be a chronicle of events foretold with the name Rushdie associated in India – the ‘secular-social-democratic’ state. So, why was the episode not avoided at all by the organisers? Was there an expectation that in a country where religious and minority politics are evergreen agendas will suddenly become tolerant to an issue that was raised 24 years ago? Not if you ask me and not in another 24 years because it is a collective will of the people that refuses to change.

The Vicario brothers never wanted to kill Santiago. They wanted someone to stop them and it is why they pronounced their intention loud. Santiago was murdered by the collective will of the people who considered him guilty on the word of Angela Vicario – the woman who he allegedly ‘perpetuated’. The Fatwa against Rushdie by Iran’s Ayatollah Khomeini was echoed in unison by many Muslim countries and nearer home by the hardliner Muslim bodies – but that was 1988. Over the years Iran has softened their stand on Rushdie but in India politics remain the same, perhaps even more dispersed and hence the chances of the author making a visit are even lesser. Yet, the esteemed organisers overlook this socio-political development of the country– so it was in the calling that this event makes news.

News it did make – in as well as out of the event allowing everyone and anyone who knew (or did not) anything about the author, Indian democracy and politics to make a statement or an argument, so much so that it also popped in after dinner conversations. If I were Rushdie, I would be careful, because this is what Santiago Nassar did not read into as the sign of his impending death. When people start making opinions based on a collective debate, the outcome could be fatal. There were only a select few who spoke for Nassar, most of others willed his death and so chose to be impotent spectators to the murder. The literary fraternity’s support for Rushdie is the select few and their voices cannot save the author from the slingshots of the bigger mass who in their impotency to such situations only can become willing participants to the attack. In this whole episode some have chosen to blame the government. (Chuckle) That is so easy – makes me feel that I could wake up tomorrow with malaria and blame that the government did not kill the mosquitoes. Seriously, this is lame because not all the security in the world can protect a man whose fate has been foretold by a socio-political history.

I do not suggest that Rushdie should be in hiding or that he should not come to India at all (for God’s sake he does not even need a Visa) but if he chooses to do so then he has to embrace the fate that he has sealed with his book and take a stand. Triggering a debate will only oil the rusty lamp. And if there should be a debate then it should not be whether Rushdie should come to India or not, rather it should be if the issue really affects the lives of the thirteen percent Muslim population in India. The ‘few-good-men-and-women’ who support the author will either wise continue to do so across the mediums. His coming to India or not really should not make the big difference. The real need which this event has actually catalysed is – Can we as Indian’s discard a religious socio-political history and come off as a truly democratic state, where art and its form are not licensed by petty sentiments? Not, if we do not begin to address this in our own social framework and practice democracy of thoughts towards religion and community. Till then we will continue to have these periodic debates that will die almost as soon as a four day festival comes to an end. (Or am I wrong?)

Note: I have only read the following of Rushdie – Haroun and the sea of stories, Midnight’s Children, The Moor’s Last Sigh, Shalimar the Clown, East, West, Fury and hence may have a limited outlook to the debate that all of us are so engrossed in. I could not get hold of the Satanic Verses yet, but I believe someone from JLF might just have smuggled a copy. Pity if after all this, someone has not managed to. J

Conquering fear in the time of love

Fear springs at the oddest hour and place. The least one would expect is it to be associated with love, yet it goes hand in hand with the latter. If one is or was in love then fear is an association they cannot deny. Love conditions the mind to create an illusory world of expectations, which then becomes the raison-d’etre of love itself; losing it would be losing love in all, being the belief. Now, not that the axiom unconditional love is redundant for such a proposition but that, such a thought hinges on the hypothesis  – Nothing is unconditional and love is not an exception.

In the Gita, Lord Krishna makes a reference to maya in Chapter VII, Verse fourteen. He tells Arjun,

“Hard it is

To pierce that veil divine of various shows

Which hideth Me; yet they who worship Me

Pierce it and pass beyond.”

The world is much fascinated by the reference to Maya or a state of illusion, because it is seen as a matrix designed to keep one rooted to the very fragment of being a regular human being. So, to be emotive is to being human, the regular kinds which breathe, live and walk among us - our fellow members of the matrix with no present consciousness to leave the mesh either. Being in or out of love is therefore just another state where we will be subjected to the myriad of emotions binding or separating us from another. Of them all, it is fear that is the most unavoidable. One cannot do with or without it.

As an emotion fear will not willingly be expressed. It is not an emotion credited with the state of being a social being. So, even worse it will lurk inside and metamorphose into more devious emotions. Take an example – A person in love will never willing express if he/she fears that they may lose the one they love. It is a thought unpronounced, lurking inside and making stealthy appearances in the form of doubt, envy, rage and even hatred. Contrary to popular sentiments and belief that love begets such allied emotions it is actually the suppression of fear that stems them. It will be therefore much easier if one expresses the relevant fear rather than letting it be a dormant resident.

It is ok to fear. Our religious mythologies are full of stories of even the Gods expressing fear. In the Christian story, Jesus is supposed to have expressed and conquered fear at the eleventh hour before the day He was crucified. It is only by the expression of fear that one can learn to conquer it and move towards a more unconditional state of love. Expressing the fear that seeds and grow inside your head will allow one to be more forthcoming with the other person. If the fear is of losing the person one loves then one should express it. It immediately arrests the unrest inside the head and paves way for a solution in coming to terms with the fear. In love we keep mulling over such a thought, letting it reside and grow slowly till the time it becomes too overbearing and we pronounce it out in any possible thoughtless way. The condition is worse when one is out of love because then the fear, which has unfortunately manifested itself as true, becomes a physical reality that one may make the mistake (and they do, all the time) of referring to as a recurrent example, jeopardising any chance of being in love again, at all.

Having stated the condition what will be the easy way to conquer fear when in love? The answer is simple and I repeat it again – by admittance. It will not steal away a gallantry award or make you less human. In fact it will make you more so and also (perhaps) becomes one of the catalysts to transcend you to a better state of ‘unconditional love.’ In my own condition, I admit there are many fears lurking inside me but of them all, the fear of being out of love of the one I love is certainly not a case. I have always pronounced it being an expressive person that I am.

Getting Dirty

In one of the introductory scenes of The Dirty Picture, Vidya Balan in her role as Reshma a.ka. Silk, says to Emran Hashmi playing Abraham, a reticent I-hate-Silk director “Filmein sirf teen cheezon ke wajeh se chalti hai. Entertainment, entertainment, entertainment. Aur main entertainment hoon.” If the dialogue was not a punch enough, the poise with which Vidya delivers it, is a coup-de-grace for the audience. The wink, which I have always felt, no actor had done enough justice to post Madhuri Dixit gets a fresh patronage under Vidya. Throughout the movie Vidya as Silk would enthral the viewers with this signature gesture post delivery of any key dialogue. The wink imparts a new meaning to the dialogues, almost as if it never meant what it was supposed to mean; more often establishing Silk’s symbolic pun at her two faced fans, friends or foes.

In Ishqiya, if a feisty Vidya was a revelation, in this movie, she goes on to establish herself as an unparalleled actor beyond the league of any of her contemporaries. And how - not just by choosing a role that already had character written all over it, not by deciding to get into the skin of the character through a methodist school of acting - putting on weight, smoking or wearing what the character was needed to, but the real achievement lay in the ability to confidently carry the role of a sultry southern seductress who got a raw deal from the industry that created her, adulated her and then let her slip into an oblivion death, ironically only to reprise her much later in this story. Milan Luthria’s choice of subject is a winner and there are no second thoughts about it. What would have been a pity is if this fine script, camera work and cinematography had met incompetent acting - the movie would have met doomsday instantaneously. The real winner therefore is the casting director followed by the actors themselves. Each role have had a glove like fit in its respective actors. Naseruddin Shah as the never ageing, womanising, super-star who has no qualms of ‘tuning’ with every co-actress during the night and then avoiding them with equal nonchalance in the day, does what he does best - act. It is a treat that we are present in an era to see fine actors like Shah present their craft over and over again tirelessly. Bravo.

Tushar Kapoor plays the second fiddle brother to the super star, a role he must have by now gained an excellence over considering the number of such roles he so convincingly plays. I have always argued that he is a fine actor, if only he knew to select his roles. As Ramakant, Tushar does not disappoint - he is the weakling who despite all his good intentions for Silk can never muster the courage to side step society and wed her.

The other male lead - Emran Hashmi is an actor who has really come of age from the only kiss-and-kiss days. One could not miss his stellar performance in Once upon a time in Mumbai (again a Milan Luthria movie). And once again in this movie he does poetic justice to the role of Abraham, Silk’s arch detractor from the beginning and yet ironically perhaps the only one who empathised in the true sense with her predicament. As a character of a director who lives in the arrogance of his film making abilities not believing that cheap ‘sex’ (read – Silk) can actually ever sell movies Emran is more than convincing. The bitter sweet irony is that by the end of it all when Abraham finally meets a commercial success he admits that movies sell only because of three things - ‘entertainment, entertainment and entertainment,’ thereby coming a full circle by quoting the woman he so loved to hate - Silk.

The movie however unabashedly belongs to the character and actor- Silk and Vidya Balan respectively. I have mentioned earlier that the real winner is the casting director and the cherry in the pie of casting is Vidya Balan. It is not my biased interest in Vidya speaking in this section, but if you have watched the movie, you will agree that reprising the role of a character who moves from rags to riches to rags in her own terms, compromising with morality and satiating the hunger for success, she is utterly fantastic from the first to the last shot. A good director can only do as much as set the plot to a perspective but a good actor can take a perspective to new heights. Vidya does exactly this. She defines the role Silk in a quintessential manner leaving an indelible impression on the viewers. People have written about her ability to confidently feature a more than voluptuous character with ease. I shall regard that second to her ability to impart a unique trademark to the character, which will remain with you as a viewer long after you have come out of the cinema halls. Hence, I began talking about the wink. The manner how Vidya delivers it, almost makes me feel as if it’s aimed as a symbolic pun at her critics and detractors who may have written her off for not being the quintessential size zero, hour glass heroine. Oh - she is not all of that and I thank God for this. She is, well, she is ‘entertainment’ ;)

The Dirty Picture certainly qualifies as one of the hundred-movies-to-watch-before-you-die. Don’t Miss it.

The Jalebi Theory

Come winters and our capital’s streets and markets come alive with the aroma of delectable warm,oily, spicy (or sweet) snacks. And mind you, keeping in sync with the sentiment of the so-large ‘total vageetarian’ community, the ubiquitous and your nearby Aggarawal (both single and double ‘g,’clans) or Nathu halwaiwala, will perforate the evening air with aromatic and definitely mouth watering dishes like the Aloo Tikki (No, Mashed Potato patty is not a close English cousin or synonym), Samosas, Kachori, Moong-Dal-Halwa, Gajar-Ka-halwa, Paneer Tikka, Gulab Jamun and a host of others. If in these evenings you loiter or pass around the market and not caring whether you have a flat six pack tummy or one of those half-globe ones, you cannot deny the temptation to have feasted on these delicacies once or every possible time. It’s just so in our Delhism to not deny these beauties from adorning our big mouths. Top all this with a plate of piping hot jalebis and you are set to feel like a king/queen. If you ask me, in my humble opinion, this sweet twisted dish (hardly actually, if you consider a fermented dough of flour with some essence a dish) is the queen (assuming it to be feminine) of all winter desserts or street snacks. Well, to my assumption's favour, the Jalebi is certainly royal in her appearance and not one of those all-round-or-fluid’ desserts. The saffron colour adds an edge to the royalty and finally there is always a struggle to get your self a plate of her. (Kind of makes it elitist) Besides, like a benevolent royal, the Jalebi, creates a joyous atmosphere for the people consuming it. Don’t believe me - Observe a group or even yourself when you bite into a piece. There is a sense of immense joy, almost as if all your problems have been taken care of as the deep fried and sweetened dough melts in your mouth and the sweet syrup rushes down the gullet ; then you bite into another and another, till the feeling infiltrates your senses like a drug. That is the royal Jalebi for you.

If that was not enough, then one can feel her elitism when one tries to get an audience with her. Like suitors for a marriage, you are given numbers of when will she grace you. The attendant (the sales-boy) will nonchalantly scribble a number on your token slip and call it out almost as nonchalantly. No one messes with the high priestess and if you want her grace, then you weather the wait. In our friendly Agarwal store, I have not seen many refuse the number even though that would sometimes mean an hour long wait. In my own case I would not wait that long for a doctor, but Ms. Jalebi has her own charm and I succumb to it.

In the numerous plates of Jalebi I have consumed all this long, there was this epiphany today. This simple Indian dessert in many ways is also a philosophy of life itself. No, seriously. The ingredients, the shape, the cooking process and then finally tills its consumed, the Jalebi is life incarnate and if you are connoisseur of the dessert as much as I am , then you will agree. Let me elucidate.

Fine wheat flour mixed with butter milk is fermented as the dough for jalebi. Wheat flour is life, butter milk the experience of life and the fermentation is time. (This is not heavy, trust me) One can add saffron and essence to this batter, just as life has its share of emotions, good friends and other elements which ferment along with it. Now, after an overnight of fermentation (not excessive) comes the real cooking. The batter is placed in small quantities inside a muslin pouch which has a small hole. The cook will then artistically make concentric circles of the batter dropping out of the hole into heated oil, where its fried. The boiling oil if you consider can be the trials and tribulations that one’s life is fried in. The shape of the Jalebi is how one’s life is - never a straight line but layers of concentric circles, sometime touching each other and sometimes much dispersed. One can never escape this part regardless of who you are. This is the precedence to the best part, yet to begin. Only after the Jalebi is fried just enough to turn golden brown, that its immersed in a syrup of sugar for a short while, though long enough for it to absorb the sweetness before its served piping on your plate. The same way, life will fry us only enough and give us an opportunity to be dipped in the sweet experiences, which in the long run will be all that matters. And one cannot claim that there are no sweet experiences in one’s life - that will be saying one did not live at all. Better still, look at this way that despite all the fermentation and frying, its the taste of the Jalebi that lingers in your mouth, the joy that it brings in consuming it. So, if one can treat life as an experience through which we can bring joy to others and remain as a sweet memory, one has just Jalebied oneself. Profound - Not exactly, but what the heck, it was a thought and I take the pride of coining this as the Jalebi theory - something I wish 2012 to live by. Next time you gorge on a Jalebi, do not think of the calories; think of it as a learning of life, a bodhta. If that is heavy duty, then just consume it for the sake that it sweetens your taste buds.

Wishing all you readers a Jalebi of time in 2012. Share this with all and spread the Jalebi theory. :)

Note: Photo courtesy - indianimages.com